Quantum
Sails J 24 Tuning Guide
Boat Preparation
This is
well-trodden, but critical, ground. The great thing about better
preparation is you don’t have to be a four time intercollegiate all
American to seize the advantage. Preparing the boat itself can be
broken down into four sections: Bottom, Keel, Rudder, and Mast.
Imagine racing a car with only three wheels. It just doesn’t roll as
well. In the same way, you will put yourself at a disadvantage if
you race your J-24 without each of the four parts of the boat
optimized.
•
The primary goal of preparation in all four areas is to create
weather helm in light to moderate conditions to help improve the
boat’s upwind performance. The secondary goal is to reduce drag,
which helps on every leg of the course.
If you
start racing your J-24 in under 10 knots of breeze without paying
attention to these four areas, you will get that mushy, sick,
feeling of leeward helm.
The Bottom
The
operative words are smooth and fair. The class rules specifically
say that you can remove factory imperfections, but you cannot modify
hull shapes. In other words, you can fill to fix voids and hollows,
but you can’t grind gel coat. Use battens to check fairness, and
sand with long boards. One area that will need special attention is
the center seam, particularly from behind the keel to the transom.
This seam is typically uneven and not very smooth.
•
Wet or dry sailed, a hard finish paint must be used so wet sanding
is possible. Our boat is dry-sailed with a VC Underwater Epoxy wet
sanded up to 600 grit sandpaper. For boats kept in the water,
Interprotect 2000 barrier coat has proven to be a good alternative.
Either
way, wetsand to 600 grit. Regardless of what you cover the bottom
with, a hard, sandable finish is what you need. A great bottom
(including keel and rudder) can easily have two hundred hours of
labor in it. Keel There have been lots of changes in opinion over
time about what is the best keel shape. Instead of guessing, we had
the keel shape reviewed by Nelson/Marek. His recommendations affirm
what has become widely accepted. The keel should be:
•
Maximum forward at the top and at station #4.
• Maximum permissible chord length and maximum depth.
• Minimum thickness.
Templates are required to get the keel right. While newer keels are
better, the process usually involves cutting area from the trailing
edge and building up the forward sections (to move the keel forward
and insure max fore and aft length); then reshaping primarily via
grinding to slim down and match the keel shape to templates.
The Rudder
There
are five things to check for:
•
Minimum length
• Minimum thickness*
• Minimum weight (total minimum weight including hiking
stick, tiller and rudder is 13.5 kilograms)
• Trailing edge should be as thin as allowable.
• Rudder should be parallel with the transom of the boat.
*Be
careful, if you fair too thin, (particularly on boats manufactured
prior to 1986), they can break. New rudders take less fairing but
tend to be heavy. Once again, templates are required, and the final
product should be sanded to a 600 grit finish.
The Mast
Three
goals in this department: minimum length and mast butt forward to
induce and create rake, spreader angle to control mastbend and match
mainsail luff curve, light and clean.
•
Shorten mast to within 3mm of class maximum*
• Set headstay length at class maximum*
• Set spreader deflection at 155mm (see diagram)**
• Remove extra jib halyard and foil system (older masts).
• Remove windex entirely or replace with dinghy version.
• Remove steaming light and all electrical wiring
*Refer
to class rules for lengths and methodology. Confirm with a class
measurer if possible.
**Our
AP main is designed with less luff curve and requires a spreader
deflection of 155 mm. Reducing deflection allows for a tighter
headstay in a breeze because the center section of the mast is
straighter, and a mainsail that projects more sail area up high in
the leech. There are two methods of controlling spreader deflection.
The most commonly used is the thru-bar kit. This guarantees an
accurate 155mm setting because the bar is pre-cut at the 155 angle.
The second method of controlling spreader angle is spreader
brackets. These can be mounted to the spreaders and they adjust the
fore and aft sweep. Regardless of bracket type, make sure that the
spreaders cannot move while sailing.
Stepping
and Tuning
Fortunately, this is not like tuning a Stradivarius. Four items to
check:
•
Mast Butt (step) positioned so that forward face of mast is 2855mm
from stem.*
• Set the mast at the partners so that forward face of mast
is at maximum J dimension (2910mm).**
• Center the mast in the boat.***
• Set rig tension for conditions.
*Measure from the side of the third bolt down on the stem fitting
2740mm aft to the I-beam. Make a permanent mark. From this point
measure 115 mm to the front of the mast, not the front of the mast
step! This is your one and only mast step position.
**The J measurement is taken from the sheerline/stem intersection at
the bow, to the front of the mast. You will probably have to modify
your partner blocks to allow the mast to sit this far aft.
*** To center the mast, attach a tape measure to the tack shackle at
the bow and measure back an equal distance on each side to a point
perpendicular to the forward face of the mast. Place mark on both
the starboard and port side at the toerail. Measure from these
points to the center seam of the mast at the deck to insure that the
mast is in the middle of the boat at the partners. It may not be
centered in the partners themselves! Tighten the upper shrouds to 20
on the Loos Tension gauge, (Model B). Attach a tape measure to the
genoa halyard. Pull the halyard up to the 2 foot mark on the tape,
(or any even number). Check side to side to the two fixed points on
the toe rail to confirm that the distance is the same. With the
upper sections centered, use the lowers to bring the bottom in line.
(Site up the luff groove to check straightness).
Shroud Tension
Shroud
tension controls headstay tension and mast bend. It’s simple. Add
rig tension with increases in velocity, loosen with decreases.
Another way of thinking about it is that the uppers control headstay
tension, and the lowers mastbend. The balance shifts between the two
with velocity. In light air the lowers are looser than the uppers.
As the breeze increases and more overall rig tension is used, the
lowers gradually get tighter relative to the uppers.
| True Wind Speed |
Pre-Bend |
Uppers |
Lowers |
Backstay |
|
0-5* |
45mm |
20 |
15 |
0 |
|
5-10 |
45mm |
23 |
18 |
+6** |
|
8-12* |
38mm |
24 |
21 |
+6 |
|
10-14* |
38mm |
27 |
24 |
+6 |
|
12-16 |
38mm |
29 |
27 |
+6 |
|
16+* |
38mm |
29 |
31 |
+6 |
*Indicates four basic settings. Other ranges offer subtle changes
when you get stuck in between.
**All turns on rigging are measured in half turn increments.
Deck Layout / Crew Tasks
There
is only one approach. Keep it as simple as possible and minimize the
clutter on deck. By doing this you will make theboat easier to
handle, leaving you more time to race. While each crew will have
their own preferences, the standard deck layout modifications are
illustrated in the diagram which follows.
DRIVER
steer
mainsheet
traveler
backstay
fine tune genoa sheet
We like
a custom weather sheeting traveler system with separate cleats for
two reasons: First, when tacking in light air it allows you to be
able to roll the boat and pull the traveler to weather at the same
time. This is not possible with the Harken weather sheeting car
because the car relies on being unloaded to move across the cockpit.
The helmsman cannot roll-tack the boat. Second, when racing in a
breeze it is nice to be able to adjust the traveler without having
to reach over your legs. Having the cleat forward allows adjustment
of the traveler with the front hand. One other subtle change to
simplify the driver’s life: there are two winch handle pockets, so
that the driver does not have to carry the handle through the tack.
GENOA TRIMMER
genoa
trim
spinnaker trim*
*Some
crews have the tactician trim downwind. This is a matter of
preference and the strength and skill of the genoa trimmer.
TACTICIAN
strategy
traffic control
tracks wind direction
downwind calls puffs
monitors relative boatspeed
feeds spinnaker on sets / gathers on douses
keeps spinnaker packed and sheets organized
helps with guy in heavy air
Not
much responsibility here! Best place to stand downwind is in the
companionway facing aft. Tactician also funnels communication
between front and back of the boat, making sure the front of the
boat is in the loop and knows what is coming.
BALANCE
Always
thought to be the position with the fewest responsibilities. Au
contraire!
clears
weather genoa sheet in tacks
twings*
topping lift
vang, outhaul, cunninghams
holds the guy and gathers during douses
calls puffs upwind
* With
the sheets and twings led outside, the balance person can get double
amount of roll on the boat. The twings are positioned just behind
the shrouds with a direct lead to the cleat. As the boat is turning
into the jibe, uncleat the old twing, stand up, and pull as hard as
possible on the new twing. This helps roll the boat through the
gibe.
BOWMAN
call
starting line
call waves
watch for starboard tackers upwind
all spinnaker pole work
genoa halyard up and down
A Note
on Crew Weight: Every crewperson is responsible for boat balance.
Always be conscious of position of weight. Do every job with weight
in the right place as much as possible.
Minimize unnecessary movement.
Sail Trim
With
the boat setup and the crew positions defined, it’s time to go
sailing. Rig tension (as detailed in the preceding table) provides
the gross tune. Genoa halyard tension, main and genoa sheet tension,
and backstay are your primary adjustments. Jib lead, mainsail
cunningham, and outhaul are secondary. The table below provides
guidelines and initial settings. However, remember that trim is
dynamic. It is the constant shifting to reflect changes in velocity,
waves, boat performance, tactical situations, etc. that make the
difference. A discussion of this process follows the table.
Mainsail
Let’s
break trim down into light, medium and heavy air, and look at some
of the dynamics.
LIGHT AIR (0-7 KNOTS)
In
light air the main is set with the traveler to weather to keep the
boom on or just above center line. For the best combination of speed
and pointing the top batten is parallel with the boom.
The
outhaul is eased 2” from the black band to power up the bottom
sections and round up the lower leech. The top telltale on the leech
will be streaming 80% of the time. This setup is for straight line
speed. In a point mode, the boom will be pulled up some 3” to
weather of centerline, and the mainsheet will be sheeted harder
until the top batten is closed by as much as 6 degrees (sight up the
middle of the sail using the boom as a guide for the top batten).
The top telltale will be stalled about 50% of the time and the boat
will point higher but go slower. To build speed out of tacks,
through waves, or if the boat is slow for whatever reason, ease
mainsheet so that the top batten is parallel and drop traveler till
boom is on the centerline. Ultimately, traffic, tactical
considerations, and moment to moment assessment of boatspeed
relative to the competition will dictate your set up with regard to
the relationship traveler and sheet tension. When in doubt err on
the side of speed, and keep the leech of mainsail open.
MEDIUM AIR (8-14 KNOTS)
This is
serious power-up pointing mode, especially at the bottom end of the
range. At the bottom end of this range the outhaul is set 1” from
the black band. The crew is fully hiked. What we are looking for is
maximum load on the keel to create lift. Sheet tension is the
secret. In 8-11 knots, we sail with the top batten hooked 5 degrees
for straight line and 7 degrees for point mode. The difference in
tension is 2 clicks on the ratchet block. At 10-14 knots we begin to
de-power. The outhaul is maxed to the black band, and a combination
of backstay, traveler, and mainsheet is used to flatten the sail and
keep the boat on it’s feet The first adjustment is traveler down.
Boom position will vary from centerline to leeward of center. If
this is not enough the next adjustment is backstay. As backstay
comes on the mainsail is flattened and the leech is twisted open.
This will de-power the boat, but will also twist the leech. The more
open leech will create pointing problems. Add mainsheet whenever
backstay is added. One click in on the mainsheet will keep the boat
pointing.
HEAVY AIR (15+ KNOTS)
Hike
Hard! The outhaul is max, the backstay is on hard. The traveler is
close to being all the way down, and chances are the main is
flogging. In this range switch from traveler sheeting to
vang
sheeting, particularly if it is puffy. The new 8:1 purchase on the
vang makes it easy to get all the vang tension that is necessary.
The traveler is positioned three quarters of the way down, and the
sheet is played for balance.
Genoa
This
sail must cover a very wide range (0-18 knots). Also, when in doubt
about sail selection, we usually choose the genoa. As a result, it
requires some creative and relatively extreme combinations of
halyard, lead position, and sheet tension.
LIGHT AIR (0-7 KNOTS)
The
halyard is kept very loose, with large three quarter inch scallops
between hanks. The lead is set one or two holes forward of the 8
knot median settings.* The sheet is played con
ly. In
this range, the helmsperson will have to steer too much to keep up
with changes in velocity and direction if no change is made to the
sheet. Steer straight and make changes very gradual; keep the
telltales flying by adjusting the sheet. Try to work back to the
median (4-6” off the spreader setting) for this condition. A
constant dialogue between trimmer and driver is helpful. The trimmer
tells the driver how far off the leech is, and driver describes if
he is working up or down, and whether or not the sail can be sheeted
harder or it needs to stay eased to build speed.
MODERATE AIR (8-14 KNOTS)
Luff
tightened gradually (halyard or cunningham) so that just a hint of
scallops are showing. Lead position moves aft to median or as much
as two holes aft of median. Sheet tension changes little in this
range. Trimmer hikes and trim changes only for big sets of waves
(ease sheet), or in a tactical situation (trimming harder to point,
or easing to foot).
HEAVY AIR GENOA (14-18 KNOTS)
Luff
tension up tight to smooth all wrinkles. Lead back between three and
seven holes. The sheet and lead position are set largely as a
function of boat balance. Trim the genoa relative to how the
mainsail is being setup to keep the boat upright. If the mainsail is
flogging constantly, move the lead back. If this is not enough, ease
the sheet slightly so that both sails are luffing evenly. In the
light spots, the sail can be trimmed harder, and/or the lead moved
forward. In flat water you can usually sheet harder and de-power
with the lead aft. In choppy water, it is important to ease the
sheet.
*A Note
On Lead Position: Drill genoa tracks out so that there are two holes
between every factory hole. Median lead position is determined in 8
knots of breeze. In this condition, trim the
genoa
so that it touches the tip of the spreader and the chain plate at
the same time. From here maximum forward will be two holes and
maximum aft will be seven holes Moving the lead aft increases the
distance of the leech off the spreaders, and brings the foot in on
the chainplates. (See sail trim chart for distances off of spreader
and chain plate).
Blade Jib
We
designed the blade to overlap the genoa. This enables lighter teams
to compete with heavier teams at the upper end of the genoa’s range.
The blade’s range is 17+ knots. Halyard/cunningham tension is always
set to keep the luff smooth. (To get maximum tension, sail the boat
downwind with the backstay completely off. With two people, pull as
hard as you can.) The median lead position is set by placing the
plunger of the jib lead directly perpendicular to the lower shroud.
This is the position that you will use about 80% of the time. With
the lead at median, mark the jib sheet at a point just in front of
the block, so that when the sail is trimmed to this mark the middle
batten is parallel with the centerline of the boat, and the upper
leech is about 3” inside the spreader tip. This provides a point of
reference. The leech of the sail will be trimmed from a point 3”
inside the spreader tip to as much as 3” outside the spreader tip as
the breeze builds. In more than 24 knots, slide the lead back one
inch to de-power. If you get caught in a situation where the boat is
overpowered and you cannot adjust the lead, (or it is already back),
ease the sheet an inch or two, (or whatever it takes to balance the
boat). This will quickly de-power the head of the sail and the boat
will drive off the bottom of the sail.
Spinnaker
Standard rules of spinnaker trim apply, though because of the rule’s
effect on sail geometry, and because the sail design is geared more
towards windward/leeward courses, reaching trim requires some
exaggeration of normal technique. A couple of thoughts to keep in
mind: In 0-14 knots sail with the pole on the lower ring. In 14+
knots use the upper ring. In windier conditions, if you are tight
reaching, the outboard end of the pole should be a foot lower than
perpendicular to the mast. This will slide the draft forward in the
sail and open up the leech to de-power the boat. Keep the pole 3-6”
off the headstay. When broad reaching and running in all conditions,
the tack should be slightly lower than the clew. This, coupled with
the pole being squared, will help project maximum sail area. When
broad reaching and running, always work to square the pole as far
back as possible. Ease the sheet to maintain a curl, but make sure
the bottom of the sail is underneath the top. The luff should run
straight from tack to the point of curl. If the head can be eased to
weather of the straight line, the pole is under-squared..
Parting Words of Wisdom
Like
all tuning guides, the numbers and settings are just that, guides,
not gospel. They have been developed to help you find the sweet
spots and get you in the right ballpark. Superior athletes in every
sport often have slightly different styles or techniques which work
for them. Always keep in mind that trim is dynamic. You can’t just
set it and go. Try to understand what tuning and trim controls do.
This way you can react and make changes in response to your actual
performance at a given moment. Do not be afraid to experiment! Let
us know what works, and if you have any questions, be sure to call.
Above all enjoy your J-24 racing. To paraphrase that famous west
coast credo, remember that Fun is Fast!
E-mail:
OneDesign@quantumsails.com
World Wide Web:
http://www.quantumonedesign.com
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